Posted on | September 22, 2014 | No Comments
Kaj se zgodi, če združiš več idiotov? ARTEFAKT 105: Idiot Revisited
ARTEFAKT 104: Idiot
25. 8. 2014
Za zvočno matrico si vzamemo kratki eksperimentalni film Nika Novaka – IDIOT (2013), po istoimenskem romanu Dostojevskega, ki je svojo premero doživel na letošnjem Festivalu slovenskega filma.
RUS: Fiškinova mama (-20% speed)
ENG: Niko Novak (‘no effect’)
SLO: Polona Torkar (-20% speed)
SRB: Bojan Anđelković (-1/2 tona/echo)
Posnetek glasbene spremljave poeziji na dogodku PrivID v Parku, paraliterarne organizacije I.D.I.O.T
Posted on | September 19, 2014 | No Comments
This regular edition features work by HS, Peter Cusack, Rodolphe Alexis with Stephane Rives, Taavi Tulev, Loren Chasse, Erik Illaste, Keith de Mendonca, and sounds from the Aporee Soundmaps by Jeremy Hegge, Flavien Gillié, Slavek Kwi, and your host Patrick McGinley.
Posted on | September 18, 2014 | No Comments
For the past 18 months I have spent a lot of my time in forests wondering about the connections between forest and city. Perhaps having been raised in the urban environment, I have found it very difficult to even find where to start my artistic exploration of forests. The stories on audio tapes about forests I had been endlessly listening to as a child seemed completely out of date, and perhaps even out of place. I had to carve my own audio path through the woods. For the past 18 months I have spent a lot of my time in forests looking into the connections between forest and the universe. When walking in a forest at night, you see stars more than trees and trees more than your own feet. The body of work I have been developing throughout the Embedded Residency program with Sound and Music and Forestry Commission England consists of trying to invent new connections between us and the forest, of elaborating situations and fiction over distance and audio communication devices. Other branches of the body of work will include a sound recording of a peri-urban area from the perspective of a fox (made using a home-made GPS collar), an object resulting of the hybridisation of a radiotelescope and a fox ear, a collection of conversations with rangers from the Forestry Commission and astrobiologists about life, time and space !
Posted on | September 11, 2014 | No Comments
Radia season 33, show #493 (radio one 91FM. dunedin, new zealand), playing from september 8 to september 14, 2014.
by Maddie Leach and Jem Noble
a project commissioned by the SCAPE 7 Public Art Biennial Christchurch (27 September – 9 November 2013)
this edit for radia reframes a small portion of audio material from the original project.
Posted on | September 8, 2014 | No Comments
Poleg tega, da je veliki poznavalec lika in dela Nikole Tesle, nekdanji radio pirat in ruski knez ter več kot navadni ljubitelj šaha, ima Igor Križanovskij tudi dolgoletne profesionalne izkušnje na področju multimedije. Od leta 1988 naprej je bil zaposlen v različnih agencijah in studiih kot 3D animator, designer in art direktor. Občasno se je izkušal tudi kot obiralec jagod, babysitter in železokrivec. Trenutno aktivno sodeluje z Blender Foundation in producira razne multimedijske projekte. Leta 2007 je kot prvi na svetu prejel BFCT, ki mu ga je podelil Dr. Ton Roosendaal osebno, in od takrat naprej tudi uradno predava Blender po Evropi …
Posted on | September 5, 2014 | No Comments
“Wie es vielleicht war” (“How it might have been”) by Nights im Bunker for Radio Helsinki, Graz – AT
“Nights im Bunker” is some sort of a mistery performance series that is performed once a month at the Forum Stadtpark – a place of production and presentation for contemporary art in Graz. “Wie es vielleicht war” (“How it might have been”) is a radio edit of different performances that the performers of Nights im Bunker did in the last two years.
Performers: Patrick Wurzwallner (drums), Arne Glöckner (guitar), Vera Hagemann (voice), Johannes Schrettle (text)
Posted on | September 4, 2014 | No Comments
radia season 33 – show #491 (radio x) – FROM CHINA
- playing from august 25 to august 31, 2014 -
An acoustic field trip through China and Chinese childhood.
FROM CHINA features Butterland’s radioplay “Childhood Stories”:
Posted on | September 1, 2014 | No Comments
Čeprav v tokratnem kontekstu ne gre za nikakršno umetniško prvoboriteljstvo, je ‘konceptualna radijska umetnost’ (zopet) našla pot tudi na valove Radia Študent. Tokrat prvič pod okriljem oddaje Otitis Media. Transformacijski potencial OM je tako izkazan s postajanjem-drugo, ki pa (i.e. OM) nikdar ne more postati drugo, prvič že zato ne, ker je z vsakim novim korakom neizkušen, drugič pa, ker ga to obvaruje ultimativne psihoze. Tune in.
Posted on | August 28, 2014 | No Comments
Hervé Moire meets Juan Pablo Espinoza aka JPE for a live where different recordings are processed on live.
Hervé Moire is an électroacoustic musician self-taught, he composed 2 pieces published on the label Aposiopese. His musical universe is composed by field recordings, concrete sound recordings of different objects and acoustic instruments treated and confronted with electronic digressions.
JPE is a composer and a graphic designer working on multimedia and musical projects connected to improvisation, sound effects, electronic music and électroacoustic music. He learns electroacoustic music at the ENMP of Pantin (next to Paris) and composition in the center of Ianis Xenakis (CCMIX). One of its electroacoustic compositions appeared on the French label N-Rec. He is interested in the possible interactions between the music and the contemporary dance and the theater.
Posted on | August 21, 2014 | No Comments
It all started from a terrace during the 2014 Bienniale opening days, then moved into the streets; among the crowd, the tourists, people wandering into new territories, just to find unexpected sounds and stories.
A quest that brought us into a misused theatre, then back to the streets, into the old town, where the ancient and the modern mix.
To hop into a taxi, where the outside noises slowly faded into soundart and migration stories; then back to where history meet the contemporary, in the frequencies of Marrakech cranes, into a lost flock, and the Muezzins’ prayers.
After days of wanderings and getting lost into the Marrakech dedalus, came an unexpected and healing encounter; but then, it is inevitable to end back again into the crowd until, just turning the corner, everything is relaxed and almost silent.
Just time for a mint tea and the birds come back in, so does the music, and the radios and the car horns.
The new birds of Marrkech.